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Archive for the ‘The Awakening, Kate Chopin’ Category

By Guest Blogger: Lee Stein

This post is from Lee Stein, a writer and participant in the Read to Write Workshop Sebastopol, 2010. Lee missed the first session where we discussed The Awakening by Kate Chopin. His viewpoint adds a valuable dimension to our otherwise all female class discussion. Thanks, Lee!

I just finished reading The Awakening. The pace of the book (apropos of New Orleans, of course) posed a bit of a reading hurdle and the writing style of late 19th or early 20th century writing, as well. However, once I got into it, I actually couldn’t wait to pick it up again. As a reader, Kate Chopin (ironic that she also makes several references to the musical Chopin) builds us up as we empathize with Edna as she in fact awakens from her routine world to a richer life, one filled with love, sensuality, her own choices, her apparent real development as an artist, her independence from what was the ball and chain of societal and marital expectations. 

 Of course as the reader, I could (almost) see the end coming, especially when Robert, who represents, even more than her husband, the “straight and narrow” of society. God forbid, Robert would say, that I involve myself with a married woman, no less than the wife of one of the scions of New Orleans business and society. I could never take the step to live with her without the proper social blessings, or run away with her. I would rather sacrifice my position (witness the note he leaves) than to actually live a life based on the life of the heart. This in fact seals Edna’s fate. 

I went back and looked at the first line, and Chopin cleverly introduces the theme of the book, in French, via the character of the parrot (who does in fact make another appearance). “A green and yellow parrot, which hung in a cage outside the door, kept repeating over and over: “Allez vous-en! Allez vous-en! Sapristi! That’s all right!”

The footnotes inform us: Go away, go away! For God’s sake, go away! That’s all right.”

At first this seems a bit silly for an introduction. But we see several elements where Edna strips her life in one way or another of the confining rules and expectations of society, even as she gives her heart to Robert. First, Robert leaves for Mexico. Then she leaves this idyllic summer getaway where she and Robert idle their time with one another as she falls in love to return to the city with the change of season with her children and unfullfilling, unloving husband. About the same time, she sends the children to their grandmother’s home in the country and her husband leaves for NY on an extended business trip. Somewhere in there, we have other leavings: She becomes involved (quasi-romantically) with Alcee in Robert’s absence, but she also leaves Alcee, or directs Alcee to leave her on several different occasions. She leaves her own family in a sense, refusing to attend her sister’s wedding and in a sense, leaves her father, who despite his visit to New Orleans, fails to persuade her to attend and in a sense leaves her family. She strips her self symbolically of all the trappings of life expected of a “gentile woman of New Orleans” to lead her own life as an artist, make her choices. Even her dearest friend Madame Ratignolle, who seems to have a borderline love affair with Edna (see the scene at the beach with the two of them), represents the exact opposite direction of Edna’s life. Her life is directed to caring for husband and children, minimal physical activity on her own behalf, and certainly, other than the more or less required music lessons, and apparently only a fair player at best, Madame, interestingly is always referred to formally, as Madame R… as though the author wants us to see her in this formal, structured way.

It is interesting that as a reader, I am falling in love or at least deeply admiring Edna’s steps out of convention into a true soul direction. And finally, after stripping herself of everything with which she starts the story, she literally strips naked on the beach and consciously swims out into the Gulf, ending her life because no male energy could meet her and fulfill her. Robert failed, despite her heart and soul being committed to him, Alcee never had a chance. Her husband’s idea was to simply keep plying her with bribes in the form of bonbons, crystal, wine or other gifts as versus truly loving her or making space for her. And so, really, she had no other avenue, in her world, so that ultimately, she wasn’t truly independent, but rather still crushed by her dependence on a deep and meaningful relationship.

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