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Archive for the ‘Short Shorts, Nancy Margulies’ Category

“Short Shorts: Sudden Fiction” by Nancy Margulies brings to mind in the very best way those colorful foam Magic Grow bathtub toys that begin as little gel capsules. When my son was small, we’d drop a capsule into the warm water and watch it miraculously birth a lion or giraffe, elephant or dinosaur within minutes. Even knowing the science—a dry sponge squeezed tightly into a small space will expand exponentially when wet—didn’t make it less amazing and fun. What Nancy Margulies brings forth in stories quickly inspired by one-word, emailed prompts is similarly marvelous. Her “Short Shorts” expand vividly and unpredictably on the page.

On first reading the book, I assumed that these crisp, visual, and emotionally charged stories had evolved through revision for publication from the author’s initial “free writes” sent as replies to her writing group’s prompts. When I learned that these published versions were drafted in twelve minutes or less and not reworked, I was impressed and mystified. How does she do it?

Lesson: Choose precise details 

This author is gifted in making us see. From the opening in “Preparing to Meet My Birth Mother”—”…as cherry blossom explode off their branches, wrapping around houses like so many pink scarves”—to the final entry “Not Here” on page 53 (yes, it’s a short book) —“As people paint Hitler mustaches on the image of our President…”—Margulies uses images to establish emotional tone, define character, create scenes, and extend meaning beyond the poetic prose. The prompt for the first story is “mother.” The character tells us she “should be packing instead of watching” the cherry blossoms out the window. She then steps through the imagined packing, telescoping the twenty-nine years missing from life with her birth mother through bursts of autobiography and could-have-beens. She sums up her first short marriage to LeRoy Pratt in these eight one-syllable words: “He won races. I wore a pit pass.”

Throughout the book, there are these “magic grow” details that encapsulate a relationship or era of a character’s life. These gems could be dropped into the warm bath of imagination and expanded into longer works of fiction, but they serve this short form beautifully and economically.

Lesson: Deliver meaning through form

“Strip Poker,” a scant page of story prompted by the word “layers,” is a confession by a girl that she’s been raped. Margulies devotes four brief paragraphs to layering her character from childhood through teenage years with skirts, shorts, slips tucked into shorts, and a bra stuffed with toilet paper, only to strip her bare in one final sentence. “Turns out she was wrong” is the narrator’s response to her mother’s belief that no one would have the patience to rape a girl so layered by clothes. We don’t know when the rape happened or any hint of the perpetrator, but the horror lingers in those final five words which ravish the girl’s modesty and innocence, along with the belief in a wise mother who could keep her safe.

The story “Backwards” (prompt “backwards”) is a witty and pithy unraveling from the narrator’s gentle present time through past generations spiked by family tragedy, dislocation, and finally to a pre-literate time when the ancestors “told stories that were passed down then forgotten” leaving the rest of this story “anybody’s guess.” The remaining inches of blank page loom large with possibilities.

Lesson: Try it!

Prompts can inspire writing at any stage of mastery. Whether working alone or in a supportive group, writers can discover more about their characters, their stories, and themselves through random prompts and timed exercises. The prompts used by Margulies in this book are Mother, Dream, Time, Mask, Adventure, Photo, Short, Imagine, Missed, Morning, Layers, High School, Backwards, Secrets, Clutter, Regret, Goals, New Job, Sun, News, Wanting a Child, Sacred, Boyfriend, Yellow, Last Words, Crush, Committed, Late Night, Candy, Wanting, Who I Was, Photo, Assertive, Pause, Independence, Ocean, Songs, Fitting In, Memory, and Garden.

Choose a word. Allow twelve minutes or less to write. Dig deep. Have fun. Risk revealing what you have never before revealed. Surprise yourself. Intrigue your readers. Email the story to your own address or to fellow writers. If you’re like me you’ll end up with a notebook full of promising free writes, any of which might produce a publishable story upon considered revision. If you’ve mastered the short form as Margulies has, then you’ll soon be working on your new collection. Watch for “Sudden Friction: Stories That Rub You the Wrong Way” to see what emerges next from this author.

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